Dan Baines

Fairy Rings and Monstrous Things

She's Alive!!!

Here's the long awaited Dolly Darko update you've all been waiting for. I know that I said that this would be Dolly Darko MkII week, however I totally forgot about the bank holiday and that we had family visiting. This means my usual studio time has been spent entertaining the troops, although even given the limited time I have made great leaps forward in the design process.

Dolly's new cracked ceramic finish still retains the nasty pallor of the original but gives it a new look that I think is an improvement. The previous painting method could not be used as it would melt the 3D printed doll parts, this method also produced inconsistent finishes. Once painted there's no way of telling she's a 3D printed model, in fact she feels a cross between delicate porcelain and traditional paper mache.  The original Dolly weighed a ton, this new one is a fifth of the weight. In true Wurzel Gummidge fashion the heads are also swappable allowing users to tailor performances and it also gives me the opportunity to exploit a marketing opening and produce a collection of heads!

Without giving too much away technically the chips I use inside Dolly can be programmed very easily, by simply plugging in a USB cable you can define -

  • The angle the head turns

  • The delay from pressing the button to the head turning.

  • The time it waits looking left or right before returning to centre

  • The speed in which her head turns and much more

I'm also working on making her arms raise as is she is begging to be picked up. Space inside the doll is limited but theoretically the triggers that make dolly move can be either manual, remote control or by sensor .i.e movement or light. The programmable chips also mean that future updates, new features and custom performance programs can be installed by the user with ease.

The floating version of Dolly Darko will be a separate product. The prototype at this stage can lift her head, stand, walk and then float seemingly unassisted. Some clients have contacted me worried that this turns bizarre performance into some form of strange puppetry. I have reassured them that the story that accompanies Dolly Darko MkII gives a certain validity and reason for the 'puppet show' whilst still maintaining a visually disturbing yet entertaining performance.

Those attending Doomsday VII in Whitby in two weeks will hopefully be able to see Dolly Darko MkII on display. You never know, she may even look at you and wave...

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Guillermo del Toro's Bleak House Exhibition

The highlight of my career without a doubt is not only completing a series of private commissions for Guillermo del Toro but delivering them to Bleak House and getting a personal tour of his entire collection as well as Bleak House 2.

From July part of his collection will be featured at the Los Angeles County Museum of Art (LACMA). Although I have no idea if my work will be part of the 500 selected pieces you can see Dolly Darko and Crookes' Residual Ectometron in his book 'The Cabinet of Curiosities'.

Though the house serves as inspiration and a point of reference for del Toro, his wife and daughters want no part of it. They don’t live in Bleak House or Bleak House 2, which serves strictly as a work space. But there’s certainly an audience for his beloved collection. The exhibit will live at LACMA between July and November. After that, it will head to Minneapolis, Toronto, Mexico City, Barcelona, Paris, and New York.

Source

The Return of the Rossendale Fairies

Manchester artist John Hyatt took some photographs of the landscape around Rossendale in Lancashire. But when he later enlarged those he images he noticed they showed tiny winged creatures that looked like fairies.  

While I agree that whatever the creatures are in the image do have a human form I am still sceptical. The image below shows John's image (left) compared to one I took in my garden with no post editing and on a dull day. They are very similar and at least one Mayfly resembles a human in flight.

This does not mean to say that I am critical of John's work, in fact I applaud it and the following story published in the Lancashire Telegraph only highlights the positive aspect of keeping our ancient folklore alive. Everyone I know who actively 'promotes' the old beliefs and ways is an artist of some discipline and has received some form of positive experience or good luck, and in John's case he a living testament to that fact.

The following was published in The Lancashire Telegraph 13/04/2016 -


Magical fairy find helps man through recovery

 

TAKING photographs whilst out on a country walk ended up as a life-changing experience for John Hyatt.

While rambling in the Rossendale Valley he had snapped what he believed to be a cloud of insects.

But on closer inspection he wondered if they could be something more.

After the photographs went on display at The Whitaker Rossendale Museum & Art Gallery, they were picked up by the national papers and the so-called Rossendale Fairies went viral around the world.

Takings at the Whitaker increased by 600 per cent during their showing and the venue went on to win the Lancashire Cultural and Tourism Award the following year.

Since then John, 57, an international artist and professor of Art and Design at Manchester Metropolitan University, is regularly contacted by people all over the world wanting his advice on how to find and contact the ethereal beings.

People have traditionally been fascinated by fairies best illustrated by the Cottingley Fairies where young girls Elsie Wright and Frances Griffiths produced a series of photographs in 1917 claiming to show fairies but later exposed as a hoax.

The professor, also former lead singer of the post-punk/indie rock band The Three Johns, went on to produce a series of fairy-inspired art work and has just finished working on a community film with children and young homeless people from East Lancashire.

He said: "It went viral around the world so people have been sending me photographs.

"Some lads in Israel asked me for my advice on how to go and find fairies.

"I gave them my advice and some tips on how to use a camera and they sent me some in Israel."

Since the intriguing images were taken in 2014 the professor has been careful not to reveal the exact location where they were taken.

He said: "They were just taken in the Rossendale Valley.

"I won't be more specific because I don't want people going and trashing it.

"You'd be surprised how many people have told me they want to go there.

"I was out with my camera deliberately trying to photograph fast moving things.

"I didn't actually see them with the naked eye because they were moving fast. I went back home and looked at them on the computer and then I realised what I'd photographed."

The professor himself who has lived in Rossendale for more than 30 years, is ambiguous about whether the creatures he snapped on his Nikon D40X were fairies.

"A lot of people think they are. I did a talk at Oxford Natural History Museum and they did an investigation of the photos. It's their livelihood so they came down on the side that they are insects but they still asked me to go down and give a talk.

"But I have always stayed on the fence deliberately. Because the interesting thing about them going worldwide was to see the world's reaction to them.

"I don't know what they were. I know they were interesting photographs. I went out for the next few days and took more photographs but every photograph that I took looked like insects."

After his strange experience in the Rossendale professor Hyatt began to research all he could about fairies.

Contrary to modern belief fairies were not always pictured as good and friendly beings.

He said: "I did quite a lot of research from reading folk tales, Irish, Japanese and South American. Everywhere has them. It is not like it is a locational phenomena."

Fairies were even mentioned in the works of the Irish poet WB Yeats in his attempts to define Irishness.

And hundreds of years ago parents sometimes believed their child had been replaced by a fairy changeling, he added.

"The original fairies in Britain were black fairies and they weren't tiny they were human-sized. It goes back to when the forest was predominant.

"Rossendale was all forest and it was the predominant feature of the landscape."

Professor Hyatt believes that the tradition of the Britannia Coconut Dancers of Bacup blacking their faces may also originate from fairy folklore.

"I don't think they realise they go back to this idea of the fairies coming out of the forest and their black faces come from folktales," he said.

He discovered that traditionally they were seen as harbingers of misfortune. Ironically whilst the media storm over the fairies was going on he was diagnosed with throat cancer but has since made a full recovery.

"I think that's why fairies symbolise death as they are creatures from the other side. Certainly in a lot of fairytales they are dangerous. I wasn't going through anything when I saw them. The day the photos went viral I was diagnosed with throat cancer so it was quite interesting in a sense that for the first month of the fairies going viral I didn't have any time to worry about having throat cancer because I was talking to people all around the world."

The professor who is a vegan, believes he may have seen the creatures because he has an open mind.

"If they want to show themselves to you then they will. I've got a completely open mind. I think a completely open mind is a prerequisite for meeting them.

"The interesting thing is that the people that didn't believe were very abusive and felt that their world was threatened - if they didn't have a very rigid attitude to reality everything would crumble."

The fairy photographs have also led to new inspiration in his art work, he adds.

"When I was ill I painted every day to keep myself positive. It's automatic painting as if the picture forms of its own accord. I'm quite open-minded. I think the world is a lot more interesting than we generally give it credit for and quite often normal everyday things are interesting if you pay attention."

Guys & Dolls Part 3 - Head like a Hole

After some tinkering in MeshMixer the first Dolly Darko head 3D print was faultless. As the print is completely hollow the print time was less than an hour which opens the possibility of printing a full doll in a single day.

The print is also extremely light with the fully painted head weighing in at only 24 grams which means a complete doll should weigh around 200 grams fully clothed. For people worried about the weight and feel of the doll, you'd be surprised it was made of plastic as the material once painted feels more like traditional paper mache. In no way does it feel or look like it was made using cutting edge technology.

The paint finish on the head is slightly over the top but I wanted to see how battered and nasty I could make her. A more toned down, cared for antique look will also be available to the more faint hearted.

The printer is currently churning out the torso so a full doll might feature in next weeks blog.

Guys & Dolls Part 2 – Dolly Darko goes digital

Dolly Darko has come a long way since I discovered her dusty body in a Parisian antique shop over a decade ago.  She's been entombed in silicone and cracked and dropped so many times the original bisque doll is a sorry sight. The moulds used to create the forty or so Dolly Darko dolls are also on their last legs and have begun to fall apart.

In an attempt to immortalise Dolly in the digital realm I have started the task of 3D scanning all of the parts. Not only will this allow me to reproduce Dolly once again without the need of casting and moulding equipment but I will also be able to digitally restore any damage thus making her perfect once again. At some point in the past her right thigh was totally destroyed however, through 3D scanning I've been able to scan the left thigh and mirror it via the software editor to make a brand new right thigh.

Once all of the components are scanned and saved I can print Dolly in any size and colour but more importantly, I can print her with a hollow torso and head. This gives me the opportunity to install servos and other gadgetry that will make Dolly even scarier than her resin counterpart. It will also make her 80% lighter than the original which introduces the possibility of puppetry. A doll version of Losander's floating table anyone? By implementing this amazing new technology it is all possible, although the journey to get this far has been one hell of a steep learning curve!

As well as capturing Dolly Darko digitally I have also started to capture all of my other existing antique doll and vent doll heads for future projects. Even if one should become lost or damaged I'm only a few hours of printing away from a new one. It's a facility that will become invaluable in the studio and I'll never have to endure my collectibles to the rigours of silicone and latex ever again. As strange as it sounds, the ability to scan and reproduce any object leaves you with an almost god like feeling!

Next time I will compare a few test prints with the original parts of Dolly Darko in terms of detail and weight. It finally looks like Dolly Darko MkII could be a chilling reality, only this time she'll be much scarier than before...

 

The FeeJee Mermaid Sideshow Barker Box

After exhibiting the FeeJee Mermaid at numerous events over the past few years you can imagine that I became tired of explaining what she was, where she came from etc, so I had an idea...

I found an antique church collection box and installed some mp3 electrikery to create the 'Automated Sideshow Barker'.  Just insert an old English penny and an informative tale ensues!

A Sideshow Teller, you pays your money your hears the tale! Built to accompany my FeeJee Mermaid project at http://www.pyewackettandpecke.com All audio is copyright E.R. Perkins 2014

Here are a few additional images of completed Feejee Mermaids.  Anyone familiar with my Mummifed Fairy Workshop kit I funded via Kickstarter a few years back may be interested to know that a Feejee Mermaid project is also in the pipeline so watch this space.

Drones in Haunted Zones #1 - Ambergate Wireworks

Please note that the following footage and images were taken without breaking into or setting foot inside the buildings. The drones were flown through open windows and piloted remotely by FPV.

In a new series of blog posts my son and I head to derelict and mysterious places and document them with images and film using drones. This amazing technology allows us to get a new perspective on these neglected places without endangering ourselves or disturbing the environment.

Drones in Haunted Zones #1 Please note that the following footage and images were taken without breaking into or setting foot inside the buildings. The drones were flown through open windows and piloted remotely by FPV. In a new series of blog posts my son and I head to derelict and mysterious places and document them with images and film using drones.

Ambergate Wireworks, Derbyshire

As you wander along the Betty Kenny Trail in Ambergate, Derbyshire (see previous blog post) you will eventually stumble upon a huge derelict factory. This vast complex of forgotten buildings contains not only acres of factory space but rows of cottages, a laboratory, a water powered generator and a brooding mansion set atop of a hill overlooking the decay below. Those familiar with the Mothman Prophecies would immediately agree that this place has a similar vibe to the old saw mill where the creature supposedly lived.

The following information is from various internet sources -

In 1867 Richard Johnson and his nephew opened the wireworks and employed over 500 people. This successful factory produced the telegraph wires used under the English channel during WW2 and the suspension cables for Sydney Harbour Bridge. In 1990 the Bridon company took over production which lasted until 1996 when all wire production ceased. The complex is now owned by the Lichfields and some parts are still leased as storage however, the bulk of the buildings have been left to rot.

In a grand position overlooking the Derwent Valley and the abandoned wireworks is Oakhurst House.

The mansion was built in 1848 by industrialist Francis Hurt and was designed to house his three unmarried daughters, thereby freeing up Alderwasley Hall, his main seat, for his male heir.

Hurt's plans never materialised, however, and his daughters did not move into the house. Instead it was bought by the Thewlis Johnson, part of the wirework business. The house remained a possession of the wireworks during the later 19th and early 20th centuries, with some alterations being undertaken during the 1890s.

In the 1970s Oakhurst House was converted into flats; however, with the bankruptcy of the wireworks and the deteriorating condition of the building, the flats were abandoned in the late 1970s. Since then, the house has remained unoccupied and is now derelict and a partial ruin.

A few years back it was for sale for £1 but it had to be restored back to it's original glory.


Drones – Parrot Bebop & DJI Phantom

Music – Mirrored Theory 'We Follow Patterns'

For more music check out his Soundcloud page here


The Occult Review

As society was still left reeling from the Cottingley Fairies incident the amount of articles on fairy folklore rose exponentially. This refreshed interest in our ancient lores and heritage started to uncover long forgotten traditions and records about fairies. One of the most popular magazines where you might find such information was The Occult Review published between 1905 and 1951. It contained articles and correspondence by many notable occultists and authors of the day, including Aleister Crowley, Meredith Starr and Walter Leslie Wilmshurst to name but a few.

Take this excellent feature from 1921, written only 4 years after The Cottingley Fairy photographs were taken. It covers the Cottingley incident in great detail but also incorporates other sightings and interactions with less attractive entities. It even points to a particular publication that is said to have preserved the elemental teachings of a very ancient faith. One that might still hold the key to unlocking the door to the world below...

You can read the May 1921 issue of the Occult Review here

And down will come baby, cradle and all... The Betty Kenny Tree

This weekend my son and I headed to Shining Cliff Woods in search of the Betty Kenny Tree. This tree is reputed to be over two thousand years old and has a very interesting story attached. This ancient yew tree claims to be the origin of the nursery rhyme "Rock a bye baby". The story has been well documented and relates to a family of charcoal burners called Luke & Kate Kenyon from the 1700s. They lived in the woods and used the tree as shelter and brought up their 8 children never once stepping foot in a conventional house. Betty would place the babies in the hollow of a branch and rock them to sleep as she worked making charcoal in the forest.

Ironically the path we took is called The Betty Kenny Trail yet it does not lead to the tree nor tell you where it is.  I had seen pictures of it before so I know it was in an elevated position in an area of evergreen forest.  The area was wet and cold plus the surrounding trees provided no cover so we headed up hill, deeper into the forest away from the river.  We eventually reached a dry stone wall that marked the boundary between a patch of moorland and the forest. We decided to follow the wall and then I knew we had reached the right area.

Betty Kenny Tree

The forest to the right of me became incredibly dense and dark, I commented to my son that it was the darkest I had ever seen.  With a thick evergreen canopy and the trees so tightly packed, the light from the midday sun could barely penetrate the forest floor.  It was Tolkien's Mirkwood made real.  The outside temperature was a bracing 2.5 degrees C yet the forest became strangely humid and muggy as we ventured deeper into the darkness.  The anechoic blanket of pine and yew felt like a protective shelter from the imminent snow and wind.

We finally found the Betty Kenny tree. In the 1930s the tree had been burnt by vandals so the huge space once occupied by the ancient yew was now empty and open to the sky. The light from above the forest floodlit the tree's remains like a UFO tractor beam. In the darkness of the forest it was impossible to miss.

It was hard to imagine that anyone could live for over a century in this forest let alone raise a family of eight children, one of which is still buried beneath the remains of the tree. It's an eerie spot and other worldly when you stop for a moment and try to imagine what the tree has lived through. And it is still alive, despite being used as a home and almost completely destroyed by fire. With new shoots protruding from the shattered stump it is as if the sympathetic forest does not grow over and shadow the old tree, yet instead allow the light from above through to keep it alive.

The Betty Kenny tree is a special place and one worth visiting if you don't mind wandering from the beaten track...

And you're not afraid of the dark.

3 Day Mummified Fairy Workshop

Nine years ago I did something that would change my life completely….

April 1st 2014 marks the 9th anniversary of the Derbyshire Mummified Fairy Hoax. Dubbed one of the greatest hoaxes of all time, the iconic images of a tiny fairy corpse in a forensics lab captured the imagination of the world and is still going viral to this day.

dead fairy

The original mummified fairy inspired a multitude of similar creations, some good, some bad and the internet is awash with tutorials and speculation on how the original was made. These range from a dead spider monkey to full blown conspiracy theories that the fairy was actually real and I was forced by the government to reveal it as a hoax.

It’s time to lay those theories to rest and reveal how the iconic fairy was really made.

I will be hosting a small workshop for up to 12 people and personally take your through all aspects of the fairy build as well as give you all a private lecture, discussion on the mummified fairy hoax and a tour of his 'exhibits'.

The workshop will be held at Hotel zum Zauberkabinett nestled in the beautiful Bavarian hills and only 40 minutes from Munich.

The workshop is aimed at all ages and all abilities. The inspiration for the project ignited when my 13 year old son told me about a friend who wished he knew how to create the mummified fairy.

The workshop would be an ideal entry level OOAK (One Of A Kind) project as well as an interesting challenge for the experienced modeller.

I will reveal the processes in step-by-step detail covering the following topics and more -

  • Making an Armature

  • Sculpting the Figure

  • Dynamic Posing

  • Fabricating the Body

  • Applying Hair

  • Making Wings

  • Creating Eyes

  • Building the Armature

  • Placing Accessories and Wings

  • Adding Surface Details

  • Sculpting Hands

  • Sculpting Feet

  • Incorporating Natural Materials such as Insect Parts

  • Sculpting Polymer Clay Heads

All materials and tools are provided and you'll be able to take your fairy away at the end of the weekend.

Workshop Programme

  • Friday Evening – Meet & greet dinner and The Dead Fairy Hoax Lecture
  • Saturday – All day fairy workshop
  • Sunday morning – Complete fairies and finish

IMPORTANT

Please note that the price is for the workshop only, you will need to book accommodation and food separately through the hotel here

The workshop and lecture will also be in English with no translation so please consider this before booking.

The cost is £125 per person and tickets can be booked here

FeeJee Mermaid in 5 Days, Prop Build Project Day 5

Well here it is, day five and what a journey! The mermaid dried perfectly overnight and all that was required this morning was a quick coat of varnish on the claws and a final dry brush to the face. Part of being an artist is knowing when to stop and deadlines make that decision for you (which is why I like them!)

As my mind ticked over in bed last night it occurred to me that to the uninitiated most won’t have a clue what the mermaid is. This usually happens at events where I exhibit my fairies, I have to answer the same question multiple times - “what is it?”, “is it real?” etc…

To pre-empt those questions I thought that with the remaining time I would create a small display and ‘dress’ the prop with artefacts and interesting items that tell a story to the observer.

In addition to the newspaper clipping and faux ivory mermaids I added yesterday I also added a few aged sailor’s personal items such as a maritime compass and sundial and a bosun’s call. I framed a small photo of a Victorian chap standing next to another FeeJee Mermaid and finally added some aged signage to the plinth and an upturned antique tray I had lying around.

Underneath the tray I added an mp3 player and speaker which plays eerie carnival music for added atmosphere.

The whole ensemble creates an eye-catching exhibit worthy of any travelling sideshow and I’m over the moon with the results.

Over the past 5 days I have tried some new ideas, some worked and others didn’t but that is the essence of prop making – experimentation and developing existing methods.

I hope you’ve enjoyed following the blog over the past week. If you have a go yourself please drop me a line and let me know how you’re getting on, I’d be very interested in having a look at your work.

© Dan Baines 2016